Tag Archives: migrant

Perfect Pairing – Explores a History-Making Photographer

This coming Sunday, a new exhibition opens at the Museum of Modern Art, in New York City: Dorothea Lange, Words & Pictures. To help get ready, I found two picture books about this special photographer and the iconic photograph that became the face of the Great Depression.

Dorothea Lange: The Photographer Who Found the Faces of the Depression

Author: Carole Boston Weatherford

Illustrator: Sarah Green

Publisher/Date: Albert Whitman & Company/2017

Ages: 4-8

Themes: photography, Great Depression, persistence, social activism, overcoming adversity, biography

Short Synopsis (from Goodreads):

Before she raised her lens to take her most iconic photo, Dorothea Lange took photos of the downtrodden from bankers in once-fine suits waiting in breadlines, to former slaves, to the homeless sleeping on sidewalks. A case of polio had left her with a limp and sympathetic to those less fortunate. Traveling across the United States, documenting with her camera and her fieldbook those most affected by the stock market crash, she found the face of the Great Depression. In this picture book biography, Carole Boston Weatherford with her lyrical prose captures the spirit of the influential photographer.

Read a review at Gathering Books.

 

Ruby’s Hope: A Story of How the Famous “Migrant Mother” Photograph Became the Face of the Great Depression

Author: Monica Kulling

Illustrator: Sarah Dvojack

Publisher/Date: Page Street Kids/2019

Ages: 6-10

Themes: Great Depression, migrant, Dust Bowl, photography

Short Synopsis (from Goodreads):

Dorothea Lange’s Depression-era “Migrant Mother” photograph is an icon of American history. Behind this renowned portrait is the story of a family struggling against all odds to survive.

Dust storms and dismal farming conditions force young Ruby’s family to leave their home in Oklahoma and travel to California to find work. As they move from camp to camp, Ruby sometimes finds it hard to hold on to hope. But on one fateful day, Dorothea Lange arrives with her camera and takes six photographs of the young family. When one of the photographs appears in the newspaper, it opens the country’s eyes to the reality of the migrant workers’ plight and inspires an outpouring of much needed support.

Bleak yet beautiful illustrations depict this fictionalized story of a key piece of history, about hope in the face of hardship and the family that became a symbol of the Great Depression.

Read a review at Miss Marple’s Musings.

I paired these books because they explore Dorothea Lange’s life and the creation of this iconic photograph, as a biography, in the case of Dorothea Lange, and in a fictional account, Ruby’s Hope, that posits how Lange may have met the Migrant Mother and photographed her. Read together, I think these picture books provide a fuller picture of this famous photographer and her most famous photograph. And for those who write picture books, reading these side by side as mentor texts is a fascinating way to explore how best to tell a person’s story.

PPBF – Imagine

As a new year dawns, imagine the possibilities that await!

Title: Imagine

Written By: Juan Felipe Herrera

Illustrated By: Lauren Castillo

Publisher/Date: Candlewick Press/2018

Suitable for Ages: 5-9

Themes/Topics: migrant; dreams; poetry

Opening:

If I picked chamomile flowers/ as a child/ in the windy fields and whispered/ to their fuzzy faces,/ imagine

Brief Synopsis: A young boy invites readers to imagine what they could do, as they learn about the varied experiences of his life.

Links to Resources:

  • Try writing a poem like Herrera has, by starting a sentence, “If I”, and ending with “imagine”;
  • Have you ever slept outside under the stars? Draw a picture of what you saw or heard;
  • Have you ever spoken or sang in front of a large audience? Describe how you felt;
  • Herrera’s family were migrant farm workers, who moved from place to place to find work. Have you ever moved? How did you feel?

Why I Like this Book:

Imagine is a quiet, poetic picture book that gently encourages children to imagine what they can do, what they can become. Sharing scenes from his childhood in a migrant farming family, former US Poet Laureate Herrera ends most scenes with the term “imagine”, inviting children to think about childhood experiences that probably differ from their own and to empathize with the child narrator. He also addresses readers directly at a few points in the poem and asks them to “imagine what you could do…”

Imagine’s peaceful, contemplative text will soothe listeners at bedtime and could also be a powerful classroom tool to help build empathy for others. In a classroom setting, I can envision teachers questioning students in particular about Herrera’s entry to a new, English-speaking school, even though he didn’t know “how to read or speak in English”, and contrasting that with a scene “in front of my familia and many more”, as he read as an adult from his poetry book on the “high steps” of the Library of Congress as Poet Laureate.

Castillo’s earth-toned, pen and monoprint illustrations further the dreamy, contemplative feel of the text, providing further encouragement to listeners to imagine the young poet’s life and their own possibilities.

A Note about Craft:

At its core, Imagine is a memoir targeted to young readers/listeners. By using poetic language, by relating the story using first-person point-of-view, and by addressing the reader/listener directly, Herrera stretches it much further, rendering his life story a gentle lesson for readers of all ages, reminding us that we, too, can dream and achieve our goals.

It’s always a fine line between adding descriptive adjectives in a picture book, that risk not leaving room for the illustrations to tell part of the story, and leaving them out. Herrera, though, chooses carefully, entering “my classroom’s wooden door” –  which could be any size, shape or color, and climbing “high steps” to the Library of Congress – how high and what color and material are left to the illustrator to show. I especially liked the image of “gooey and sticky ink pens” that the young poet used to grab “a handful/ of words” and sprinkle “them over a paragraph/ so I could write/ a magnificent story,/ imagine”.

Learn more about Herrera’s life and works at poets.org. See more of Castillo’s artwork on her website.

This Perfect Picture Book entry is being added to Susanna Hill’s Perfect Picture Book list. Check out the other great picture books featured there!

PPBF – Papi’s Gift

I chose today’s Perfect Picture Book before I knew what the big news story would be this week. Sadly, the United States continues to grapple with the issue of who should, or should not, be allowed to move here from outside our borders, either temporarily or permanently, alone or with their families.

Books like today’s Perfect Picture Book put a human face to the issues and will, I hope, foster empathy for those who make difficult choices, whether to stay with family or migrate in hopes of a better life.

9781590784228_1Title: Papi’s Gift

Written By: Karen Stanton

Illustrated By: René King Moreno

Publisher/date: Boyds Mills Press (an imprint of Highlights)/2007

Suitable for Ages: 7-9

Themes/Topics: family; migrant; Guatemala; disappointment

Opening:

It is hot and dry on the day that Papi tells me about the box.

“Graciela,” he says, “I have sent you a box—a big box full of wonderful things for my girl on her seventh birthday.”

Brief Synopsis:

Graciela’s father, who has left their Guatemalan home to pick crops in California, promised to send a big box of birthday presents to Graciela. Disappointed when the box doesn’t arrive in time, Graciela recognizes that she is not the only one longing to be together.

Links to Resources:

  • Learn about Guatemala;
  • Did you ever expect a package to arrive and it didn’t? How did you feel? What did you do?
  • When you realize that someone else is sad, what can you do to help them feel better?
  • Have you ever shared something that you love to make someone else feel better?

Why I Like this Book:

Papi’s Gift is a sensitive story about the effects of migration on a Guatemalan family whose father is forced to seek work in the US because of a long drought that ruins the family’s crops. Told from the perspective of young Graciela, the reader experiences her sadness and anger that her father isn’t there to celebrate her birthday, and that even his promised package does not arrive. But hearing him cry on the telephone helps her, and the reader, realize that separation is difficult for both those left behind and those who leave.

Particularly poignant is a scene in which young Graciela asks her mother to share wedding photos with her; Papi “has been gone so long that I am forgetting his face.” Papi’s Gift puts a human face to migration and family separation and, hopefully, will foster empathy in young readers for migrants and immigrants who toil alone in the US in hopes of improving the lives of those in their home countries.

Moreno’s soft, pastel illustrations evoke the desert setting, as the family awaits the rains that will allow Papi to return to the family.

A Note about Craft:

Although neither Stanton nor Moreno appear to be Own Voice authors, it’s clear from the text and illustrations that the pair have traveled to Guatemala and understand the plight of families separated by migration.

While the central feeling of Papi’s Gift primarily is sadness and longing for a loved one’s return, Graciela also becomes angry when her father’s promised gift does not arrive for her birthday and sulks for the entire day. By including these emotions, I think Stanton presents Graciela as a complete child, not just a “poster child” for the children of migrants. I think this makes her more relatable to other children who, perhaps, have reacted similarly when things haven’t gone their way.

Finally, I love the dual meaning of the title, Papi’s Gift, as it could refer either to the gift sent by Papi, that doesn’t arrive, or a gift given to Papi. Which is it? You’ll have to read Papi’s Gift to decide for yourself!

Visit Karen Stanton’s website and view more of René King Moreno’s illustrations here.

This Perfect Picture Book entry is being added to Susanna Hill’s Perfect Picture Books list. Check out the other great picture books featured there!

PPBF – Migrant

I first saw today’s Perfect Picture Book at a small independent bookstore that displayed it among a group of immigration-related children’s books. Cloth-bound with a scene from the illustrations on paper inset on the front cover, and differing in dimension from the majority of picture books, it immediately caught my eye. I’m so glad it did, as today’s Perfect Picture Book is a unique one:

 

9781419709579_p0_v1_s192x300Title: Migrant

Written By: José Manuel Mateo

Illustrated By: Javier Martínez Pedro

Translated By: Emmy Smith Ready

Publisher/date: Abrams Books for Young Readers/ 2014 (Mexican edition: Ediciones Tecolote/2011)

Suitable for Ages: 8-12

Themes/Topics: bilingual, Codex, migrant, immigration

Opening:

I used to play among the roosters and the pigs. The animals roamed free, because in the village there were no pens, nor walls between the houses. On one side of the village were the mountains; on the other side, the sea.

Brief Synopsis: A young boy recounts his journey with his mother and sister from a small village in Mexico to Los Angeles, after the men of the village, including his father, are forced to move to find work.

Links to Resources:

  • Learn about amate paper, a type of paper created from tree bark in parts of Mesoamerica (Mexico and Central America) and utilized for the illustrations in Migrant;
  • The illustrations in Migrant form a Codex, a long sheet of amate paper gathered into an “accordion” fold; try writing your own Codex book;
  • Learn more about Mexico.

Why I Like this Book:

Migrant is not just the story of one family’s journey from Mexico. Through its unique storytelling format, it relates a cultural tale, too.

Told as a codex, with text accompanying the very detailed pen and ink illustrations that spread in accordion-fashion as a seamless picture vertically down the page, Migrant enables us to experience the storytelling techniques of the pre-Columbian inhabitants of the region, the Mayans and Aztecs. We do so while learning in this fictional account why the parents in a representative family decide to leave their home, what difficulties the mother and children encounter on the journey and what awaits them in Los Angeles – the City of Angels, where the child narrator, his sister and mother anticipate working as house cleaners and hope to find their father, who had journeyed earlier to find work.

Migrant is written for older children and an information sheet accompanying the book indicates that it is not recommended for children under 8.

9781419709579_p1_v2_s192x300

A Note about Craft:

Mateo and Pedro utilize a storytelling technique suggested by the original editor (per a 2014 interview with Mateo in Literary Kids) that honors the rich history and cultural traditions of the main character and his fellow villagers.  By drawing on these techniques, the author and illustrator help readers understand the context of the villagers’ situation and the choices they make. As authors and/or illustrators, we similarly can utilize culturally-empathetic techniques to ground and enrich our storytelling.

Mateo employs first-person point of view to draw his readers into this story. Doing so brings immediacy to the situation.

Finally, Mateo adds what at first blush seems like an unimportant detail: Gazul, the narrator’s pet dog and one of the few named characters, spoils games of hide-n-seek by giving away the narrator’s hiding places. Hiding plays a role later in the story, as the narrator and his family evade police to avoid detection. Mateo circles back to Gazul at the end of the story, too, this time as the narrator thinks about “my poor dog”, who “doesn’t like to be alone”.  Adding Gazul to the story enables Mateo to show the positive and relatable aspects of the narrator’s life before he migrates and what he and his family give up in Los Angeles. Inclusion of a pet also builds empathy for the narrator and his situation and can help readers relate to this difficult situation, as many kids can understand the distress their pets feel when left alone.

Migrant received starred reviews from Kirkus Reviews and Publishers Weekly.

For other perspectives on the migrant/immigration experience from Mexico and Central America, see:

Susanna Hill’s Perfect Picture Books provides reviews of picture books by topic. While Susanna is taking a break for the summer, you can still check out the other great picture books featured there!

PPBF – Migrant

I discovered today’s Perfect Picture Book on a #BooksForBetter list of 20 Books about Refugee and Immigrant Experiences. Read others on the list, and join me for today’s Perfect Picture Book:

9780888999757_p0_v1_s118x184Title: Migrant

Written By: Maxine Trottier

Illustrated By: Isabelle Arsenault

Publisher/date: Groundwood Books (House of Anansi Press)/2011

Suitable for Ages: 4-7

Themes/Topics: Mennonites, Canada, Mexico, farming, migrant

Opening:

            There are times when Anna feels like a bird. It is the birds, after all, that fly north in the spring and south every fall, chasing the sun, following the warmth.

            Her family is a flock of geese eating its way there and back again.

Brief Synopsis: Migrant is the story of Anna and her family, Mennonite farmers, who journey each summer to Canada to supplement their income by harvesting produce.

Links to Resources:

  • Learn about Mennonites (note: this is a resource targeted to adults, not children);
  • Explore animal migration; a great place to start is by reading Circle, reviewed here last year, and including several migration-related activities
  • Do you know where the fruits and vegetables you enjoy come from, who plants and harvests them? Learn about food and farming, including some fun activities and games.

Why I Like this Book:

Migrant sheds light on a phenomenon about which many people, including adults, know little about: agricultural migration. Although I was aware of the migration to places like upstate New York from Mexico and Central America, I had no idea that a community of Plattdeutsch (low German)-speaking Mennonites resides in Mexico nor that some, like the fictional Anna and her family, hold Canadian citizenship as well. With its many references to animals that migrate or that live in “borrowed” homes, Migrant helps even young children empathize with Anna, who must leave her home in Mexico to accompany her family to Canada where they harvest produce. Particularly poignant, Trottier describes the “ghosts of last year’s harvest” inhabiting the rental home, shopping for groceries at the “cheap store” where people often stare and Anna understands only a few of the words spoken. This is a wonderful introduction to the topic of migration and helping children, and their adults, understand that we rely on migrants like Anna and her family to harvest the foods we eat.

Arsenault integrates the homespun patterns from Mennonite clothing into the illustrations. Migrating geese wear the hats and kerchiefs worn by Mennonites, too, and the homespun artwork even reaches the fields – a patchwork of quilting squares.

An Author’s Note explains the history of the Mennonite communities of Mexico and Canada and describes farm migrant working conditions.

A Note about Craft:

Trottier utilizes many similes in Migrant, even setting the first scene as a comparison when “Anna feels like a bird” (emphasis added). Her family is a “flock of geese” and through the book, Anna feels, in turn, like a jack rabbit, that lives in abandoned burrows, a bee, a kitten sharing a bed with her sisters as her puppy-like brothers fight over a blanket “that barely covers them all”. Most notably, Anna dreams of being a tree “with roots sunk deeply into the earth”, staying in one place, unlike Anna and her family who “like a monarch, like a robin, like a feather in the wind” join the geese and migrate south in the fall. These similes, I believe, will help even the youngest listeners empathize with Anna and subliminally tie the plight of migrants to the natural world they inhabit.

Migrant is the Winner of the 2012 Notable Books for a Global Society Book Award 2012; Winner of the Amelia Frances Howard-Gibbon Illustrator’s Award Honour Book 2012; Short-listed for the Governor General’s Award: Illustration 2011; Selected for the New York Times Best Illustrated Children’s Books of 2011; Selected for the ALA Notable Children’s Books List 2012; Selected for the 2012 USBBY Outstanding International Book 2012; Short-listed for the 6th Annual Read Boston Best Read Aloud Book Award. 2012; Short-listed for the Ruth and Syliva Schwartz Children’s Picture Book Award 2012

For another book about migrants, see Two White Rabbits, reviewed here last year. Since this review was posted, Groundwood Books has published an Educator’s Guide.

9780763679668_p0_v1_s192x3009781554987412_p0_v1_s192x300

This Perfect Picture Book entry is being added to Susanna Hill’s Perfect Picture Books list. Check out the other great picture books featured there!